vrijdag 31 januari 2014

Ancient Tomb Discovered On Mars, Looks Similar To Japanese Tomb, VIDEO, UFO Sighting News.

Japanese Coordinates: 36° 7'45.64"N 139°28'52.95"E
Mars Coordinates: 6° 3'57.07"N 92° 4'13.22"E

This amazing structure was found on Mars this week and has a lot of similarities to the ancient Japanese tomb of Konfun. Although we man never know in our lifetime until a expedition dig is sent to explore the ancient ruins, it really does look similar to the tomb in Japan. If you want a look for yourself, just copy/paste the coordinates above into the Google search box, but you must hit the button on the bar at the top of the screen to switch from Earth view to Mars view. 

Source: http://www.ufosightingsdaily.com/2014/01/ancient-tomb-discovered-on-mars-looks.html

donderdag 30 januari 2014

HSBC and Chase Send Clear Signals That a Bank Run Is Near Monday, January 27, 2014 8:23


Can you find yourself in the picture?
Can you find yourself in the picture?
The HSBC bank is limiting withdrawals in both the United States and in Britain.
For the life of me, I have no idea why anyone would want to bank in this criminal enterprise bank. Regardless, isn’t the money your money? Shouldn’t you be able to do with your money what you want without justifying the purpose to the bank that you designate to hold your money?
John Cruz is a former vice president and relationship manager at HSBC. Cruz has made two guest appearances on The Common Sense Show in which he alleged that he uncovered that HSBC was laundering money for the Mexican drug cartels through phony shell corporations. He brought this to the attention of his supervisors  at HSBC and was told to “leave it alone”. When he did not leave it alone, he was fired. Cruz went to prosecutors in the New York City area. They acknowledged that they knew what was going at HSBC, but they refused to investigate and prosecute and DHS and the FBI told Cruz the same thing.  
The Cruz revelations leave no doubt that the entire banking system is nothing but a criminal enterprise system.

The Banking System Is Nearing Collapse

HSBC has admitted that it has not informed customers of the change in policy which allows the bank to deny customer withdrawals of cash from their own account. This policy was implemented in November of 2013.
This development at HSBC should raise red flags for everyone, not just HSBC customers, because in the same time frame, JP Morgan Chase announced an identical policy. As a result, many financial analysts are predicting a bank run in the near future and this is the primary strategy of the banks as they are obviously bracing for an economic collapse.
This illegal withholding of bank customer funds is justified by Eric Leenders, the present head of retail at the British Bankers Association. Leenders states that the banks are just being sensible to ask questions as to what the money is for and then make a subsequent decision on whether to release the funds to the account holder. Leenders stated that “I can understand it’s frustrating for customers. But if you are making the occasional large cash withdrawal, the bank wants to make sure it’s the right way to make the payment.” I would agree with Mr. Leenders in that the theft of customer money by a supposed trusted bank is indeed frustrating.

Sending a Clear Message

Clearly, this is a portend of things to come. If the banks were on sound financial footing, account holders would not see any such restrictions. However, if you knew if a bank crash was coming, wouldn’t you make sure your bank was as liquid as possible? To the banks, being liquid and cautious in these perilous times means that the banks intend on making it very difficult for their customers to gain access to their money.
These are the chest pains before the heart attack. Take your money out of the bank while you still can.

An Ominous Development

When the banking collapse happens, it will not be American bankers that will gobble up your life savings, pensions, 401K’s and IRA’s. It will be the Chinese.
Isn’t it interesting that JP Morgan Chase  has sold their property located at One Chase Manhattan Plaza skyscraper to Fosun International, a Chinese investment firm, for $725 million. This is only the latest in a series of New York real estate purchases by Chinese investors.
It is time to connect the dots.

Just the Facts Ma’am

Fact, the American economy is in freefall.
Fact, the Chinese have purchased a large portion of our debt.
Fact, if the Chinese do not position themselves to acquire America’s hard assets before the crash, they will be left holding useless paper.
Fact, your house is a hard asset and the paper note is owned by the bank.
Fact, the Chinese not only make your clothes and most of your personal possessions, the Chinese will be calling in the loans on your homes before the crash, once they acquire more of our banks.
Fact, if a person does not think that your home is not at risk of being taken, then that person does not understand basic finance and they have obviously never heard of the MERS mortgage fraud.
Fact, the government has begun stealing everyone’s 401K and retirement plans from their previous allocations and converting them to buying U.S. government bonds and who owns the lion’s share of the bonds? Chinese take-out anyone?
Fact, many have been reporting that Hillary Clinton has been collateralizing American home mortgages, office buildings, land, public holdings and mineral assets to the Chinese so that they will continue, for a short time, to continue to purchase our debt.
Fact, it would be wise to learn Mandarin Chinese so that you can more effectively communicate with your soon-to-be slave masters.

Welcome to the Old West, Chinese Style

Are you familiar with the term “Company Town”? This is a phrase that was primarily reserved for towns in the “Old West” in places like Bisbee, Arizona. The mining company in Bisbee owned everything. The owned the mine where the people worked. They owned the homes where the people lived. They owned the drug stores. They owned the Grocery stores. In short, they owned it all! I fear that this is the new reality under which we will soon be living in which the Chinese will own everything.
One interesting side note has to do with a historical event called the Bisbee Deportation. The event was precipitated by miners who thought they would protest dangerous working conditions and substandard living quarters. The owners of the company town responded to worker demands by forcing the dissenters into trains and then transported the protesters to the deserts of New Mexico and were forced off of the train in the middle of nowhere. In the near future, I do not think the Chinese will transport dissenters to the desert, the new destination will consist of barb wire facing in and the word FEMA will be imprinted on the sign outside the destination.


What name would you give a system of economics and government where corporate entities own all of the property? I would call it modern day feudalism.
I can best sum up these events in the words of Johnny Cash, “I hear the train acomin’ it’s rollin’ round the bend and I ain’t seen the sunshine since I don’t know when …”

Source: http://beforeitsnews.com/banksters/2014/01/hsbc-and-chase-send-clear-signals-that-a-bank-run-is-near-2434066.html

Illuminati Finger Prints Super Bowl 48 Behold a Pale Horse

Also see: http://thisisyourwake-upcall.blogspot.nl/2014/01/superbowl-false-flag-treasonbowl-letter.html

Zes misvattingen over het heelal die iedereen gelooft – Deel 2

Awesome space

Gisteren zijn we begonnen met het rechtzetten van de grootste misvattingen over het heelal die iedereen gelooft. Deel 1 kan hier gelezen worden – vandaag gaan we verder met Deel 2. Vergeet de science fiction, zo zit het echt!
#3 Meteorieten zijn heet
meteorites are hot
Stel je voor: een meteoriet landt in je tuin – nu, op dit moment. Natuurlijk zal je direct naar buiten rennen, waarna je het ruimtesteentje ziet liggen in z’n eigen kleine kratertje.
Zou je het aanraken?
Ben je gek geworden? Je moet dat kreng eerst laten afkoelen, zeker? Meteorieten vliegen immers met staarten van vuur door de dampkring. Je ziet het in iedere rampenfilm – neem bijvoorbeeld de scene uit Armageddon, waarin New York gebombardeerd wordt door een vurige regen van meteoren, die tot ontploffing komen zodra ze de grond raken.
Natuurlijk is Armageddon niet bepaald een wetenschappelijk accurate rolprent, maar bij die ene scene hebben ze het bij het rechte eind – als een meteoor landt, dan vind je een verschroeide en rokende krater, toch? Nou nee! Maar hoe zit het dan echt?
De realiteit:
Armageddon fireball
De ruimtestenen in kwestie hebben miljarden jaren lang doorgebracht in de ongelooflijk koude ruimte, waar de temperatuur vaak niet boven de -200 graden uitkomt. Zodra ze onze dampkring binnendringen, hebben ze slechts een paar minuten nodig om de grond te raken, als gevolg van hun extreem hoge snelheid. Dat betekent dat Michael Bay (de regisseur van Armageddon) gigantisch uit z’n nek lult, want meteoren hebben simpelweg niet genoeg tijd om verzengend heet te worden. Feitelijk zijn ze normaal gesproken lauw zodra inslaan. Als je dus een zojuist gearriveerde meteoriet aantreft tussen je begonia’s, dan kun je ‘m gerust oprapen. Weet je dat ook weer ;)
Maar wacht even: hoe zit het dan met vuurballen? Olaf van Kooten kan zeggen wat-ie wilt, maar vuurballen staan wel degelijk “in brand”! Akkoord, maar zo’n vuurbal heeft weinig van doen met de fysieke meteoor zelf. De vlammen de we zien, zijn niet afkomstig van de ruimtesteen, maar van de lucht die voor het object (met een ongelooflijke snelheid) wordt samengedrukt. Dit is het gevolg van ram pressure, een begrip waar helaas geen Nederlandse versie voor bestaat. In principe heeft de meteoor voortdurend een “laag” van lucht om zich heen hangen, die wordt samengedrukt en verhit tot het punt waarop het in de fik vliegt. Natuurlijk wordt de meteoor zelf hierdoor verhit, maar aangezien de buitenlagen toch weggeblazen worden bij een inslag, maakt dat niet uit.
Dus, de volgende keer dat een meteoriet door je dak komt zetten, om tot rust te komen in je luie stoel, dan kun je ermee doen wat je wilt. Desnoods lik je ‘m af, kan mij het schelen. Je zal je bek niet verbranden, ik beloof het!
#2 Mensen exploderen in het vacuüm van de ruimte
nevel geeft middelvinger
Het lijkt een ongelijke strijd. In de ene hoek staat de uitdager: het vacuüm van de ruimte – de ultieme vijandige omgeving. Tot de tanden toe gewapend met een koude en zwarte haat tegen alles wat leeft. In de andere hoek staat de Mens: een nietig, vochtig wezen dat gemaakt is uit warmte, zachtheid en inwendige druk.
We weten allemaal hoe dit zal eindigen, met dankt aan talloze B-films en low-budget tv-shows: als je zonder ruimtepak de ruimte in gaat, dan ontplof je waar je bijstaat. BAM! Het verschil tussen je inwendige lichaamsdruk en de uitwendige vacuümdruk is zo gigantisch, dan je in een oogwenk binnenste buiten wordt gekeerd. Je ogen ploppen uit je schedel, zoals je kunt zien in Total Recall in zelfs in The Simpsons (in deze aflevering).
total recall ogen
De meeste mensen nemen aan, dat als de druk naar buiten groter is dan de druk naar binnen, het geheel dan ontploft als een ballon die te hoog in de dampkring terecht komt. Meestal is dat ook zo. Dus als je een mens buiten de dampkring brengt, zegt-ie na een paar seconden splat! Geen prettig gezicht! Maar maak je geen zorgen: als je iemand zonder ruimtepak in de ruimte ziet zweven, kun je je eten gewoon binnen houden. Maar hoe zit het dan echt?

De realiteit:
2001 A Space Odyssey
Feitelijk had Stanley Kubrick het bij het juiste eind in z’n scifi-klassieker 2001: A Space Odyssey, toen astronaut Bowman een ruimtewandeling overleefde zonder z’n helm. Natuurlijk kun je niet de hele dag zonder helm door de ruimte zweven, je zal immers toch moeten ademen. Maar je hoofd zal niet klappen als een ballon, echt niet!
Wij mensen hebben, gelukkig genoeg, allerlei zaken die ballonnen niet hebben. De belangrijkste zijn een huid en een bloedsomloop. De eerste doet z’n werk op het gebied van het beschermen en vasthouden van je lichaam ZO goed, dat de effecten van explosieve decompressie verwaarloosbaar zijn. Ondertussen heeft je bloed een dusdanig groot aanpassingsvermogen, dat je bloed rustig zal blijven stromen, in plaats van te koken. Zelfs bevriezen is geen direct probleem, aangezien er weinig materiaal voorhanden is om je lichaamswarmte te absorberen.
death in space
Je grootste probleem zal simpelweg zuurstof-gerelateerd zijn. Als je te lang zonder helm rondzweeft, zullen je longen gaan inklappen op dezelfde wijze als bij scubaduikers die te snel naar het oppervlak stijgen.
Dit alles wil niet zeggen dat je alleen maar een zuurstoffles en een duikbril nodig hebt om te overleven in de ruimte. Uiteindelijk ga je wel degelijk hartstikke dood – het is alleen niet zo hilarisch om naar te kijken.
#1 De maan heeft een permanent donkere kant
dark side of the moon
Wel, dit is een gevalletje “basisschool-sterrenkunde”, toch? De maan heeft een donkere kant die minder zonlicht ziet dan het gemiddelde achterwerk. Het is een bevroren en duistere woestenij, dat eeuwig is gedoemd het zonder kosmische warmtebron te doen. Als gevolg hiervan is de donkere kant van de maan een plek vol mythen, mysterie en angst – een plaats die zowel geschikt is om Transformer-technologie te verbergen, als om vage, progressieve muziek te inspireren. Er klopt helaas geen ene zak van. Maar hoe zit het dan echt?
Pink Floyd The Dark Side of the Moon album cover
De realiteit:
Er is geen donkere kant van de maan, evenmin dat er een donkere kant van de aarde is. Het is waar dat de maan altijd met dezelfde kant naar de aarde wijst…naar de aarde wijst, NIET naar de zon! Verduisteringen buiten beschouwing gelaten, zal de achterkant van de maan evenveel licht ontvangen als de voorkant, alleen op andere tijdstippen. Dit fenomeen wordt door wetenschappers soms wel “nacht” genoemd.
Helaas zien we de achterkant nooit, maar dat wil niet zeggen dat het daar altijd donker is. Dat is dezelfde logica die babies gebruiken, als je je gezicht achter je handen verstopt. “Ik kan het niet zien? Dan is het er niet!”.
De achterkant van de maan door de LRO
Zo, dat was het weer voor vandaag. Hopelijk ben je nu een stuk wijzer geworden! Bovendien kun je met deze feitjes een goede beurt maken op feestjes en partijen. Adios!
Bron: Cracked

dinsdag 28 januari 2014

Ancient Advanced Technology At Puma Punku Bolivia

Of all the megalithic ruins of the world, one that still stupefies visitors, researchers and laymen alike, is the complex of Tiwanaku, also called Tiahuanaco in Bolivia. 

The most mysterious part of this archaeological site for many is Puma Punku, a cluster of shattered hard stone building block components that lie undisturbed in the high altitude grasslands near Lake Titicaca.

The strangest thing about Puma Punku is that the stone cutting technology found there is not present at other locations in Bolivia, Peru, or in fact the world!

Source: http://www.adguk-blog.com/2014/01/ancient-advanced-technology-at-puma.html

Pagan “God Self” Icon Found Worldwide Rewrites History, Reveals Lost Golden Age Pt. 1 and Pt 2

A new discovery challenges―if not rewrites―ancient history by showing how the world’s first cultures mysteriously shared the same religious icon. From the Egyptians to the Assyrians, the pre-Incas to the Europeans, the icon is ubiquitous. Is it the lost symbol of a forgotten Golden Age religion that flourished globally in the remote past? How can it not be?

The same icon etched in stone atop temple doors on opposite sides of the world.
Left: Gate of the Sun in Tiahuanaco, Bolivia. Right: Temple of Hadrian in Ephesus, Turkey.
For several decades, mainstream scholars have insisted that the world’s first civilizations arose separately and independently.
But an amazing new find now casts serious doubt on their theory.
It shows how ancient cultures worldwide―cultures that scholars insist evolved independently―actually followed the same global spiritual system or Universal Religion, the central icon of which has now been found to be common amid their ruins.

The Icon Found In Ruins Worldwide

The religious icon is shown in the photos below.
Note the parallel pose:
This same religious icon exists in the ruins of the world’s most ancient cultures―an astonishing parallel undiscovered and undocumented by academia!
With both arms outstretched in opposite directions (right and left) a single god or goddess holds “twin objects” in each hand, symmetrically.
These objects are usually animals, often serpents, but sometimes vegetation or magical staffs. The artwork is almost always perfectly symmetrical, just like the icon’s pose.
If ancient cultures evolved separately, as scholars tell us, then how is this same religious icon present worldwide?
This stunning new discovery challenges mainstream academic history.
It strongly suggests ancient cultures did not evolve separately, as scholars tell us; on the contrary, ancient cultures worldwide were “united” in their spiritual beliefs, most probably the result of a “shared cultural heritage” stemming from the prehistoric era.
But “united” how? A “shared cultural heritage” how?
Did a “Golden Age” of humanity once exist in our remote past, as the Greeks, Hindus and others claimed?―a kind of “Tower of Babel” era, when the world was one speech and one tongue?
Was this icon, along with the spiritual wisdom it signifies, “inherited” from this Golden Age?
(For further evidence of this Golden Age and Universal Religion, see SEE MY TRIPTYCH DISCOVERY HERE.)

“Lord Of The Animals” & “Staff God” Titles

Interestingly, the icon has been partially recognized by scholars of Old World cultures and New World cultures alike.
Among scholars of Old World cultures the icon is called:
  • Lord of the Animals
  • Master of Animals
  • Mistress of Beasts
  • Mistress of the Animals
  • Mistress of Wild Animals
  • Potnia Theron
The Lord of the Animals (also known as Master of Animals) is a generic term for a number of deities from a variety of cultures…They sometimes also have female equivalents, the so-called Mistress of the Animals. The implication being these all have a Stone Age precursor…”
Among scholars of New World cultures the icon is called:
  • Staff God
The Staff God is a major deity in Andean cultures. Usually pictured holding a staff in each hand…his other characteristics are unknown, although he is often pictured with snakes in his headdress or clothes. The oldest known depiction of the Staff God was found on some broken gourd fragments in a burial site in the Pativilca River Valley…and carbon dated to 2250 BC. This makes it the oldest image of a god to be found in the Americas.”
Despite recognizing the icon in their respective disciplines, Old World scholars and New World scholars have:
(a) failed to recognize the icon’s presence worldwide
(b) failed to understand the ubiquitous meaning the icon holds worldwide
(c) failed to connect (a) and (b) and thus remain unaware that THE ICON IS THE CHIEF SYMBOL OF A LOST ANCIENT UNIVERSAL RELIGION once known worldwide
Just as the simple crucifix conveys a complete metaphysical doctrine expressing complex themes like “sacrifice,” “life,” “death,” and “resurrection,” likewise this Lord of the Animals / Staff God icon encodes a single multifaceted metaphysical doctrine or Universal Religion.
This religion relates eternal spiritual and perennial truths regarding who we are, where we came from, why we’re here, and where we’re going, as we’ll see in a  moment.
For a more penetrating explanation, read my new book Written In Stone (an entire chapter is devoted to this amazing new archaeological discovery).
For now, let’s look at how the icon mysteriously appears in an array of esoteric and alchemical manuscripts published and quietly circulated during the past several centuries.

The Icon In Esoteric & Alchemical Manuscripts

Many of these manuscripts were published during the European Renaissance.
See below. The creators of these manuscripts certainly understood the icon’s historical significance―but exactly how is unclear.
It is clear, however, that they were trying to preserve the icon’s ancient meaning for posterity.
Note how the icon is always depicted holding twin objects, following the ancient archetype.
These twin objects are very often associated with the sun (right hand) and moon (left hand).
This is a major clue that all but reveals the icon’s ancient universal meaning:

The icon holding twin objects associated with sun (right hand)
and moon (left hand). From a mysterious alchemical treatise
titled “The Hermetic and Alchemical Figures of Claudius de
Dominico Celentano Vallis Novi From A Manuscript Written
And Illuminated At Naples A.D. 1606″

The alchemical Mercury, from Tripus aureus (The Golden Tripod)
by Michael Maier, c. 1618. As Mercurius he presides over the
alchemical opus, integrating the principles of sun and moon.

From a 16th-century alchemical treatise called “The Rosary of the Philosophers”
(Rosarium philosophorum sive pretiosissimum donum Dei). Sun associated
with the right hand, moon with the left hand.

Esoteric design. Origin unknown. Sun in the right hand, moon in the left hand.

Christian Androgynes (Alchemical), 17th & 18th centuries.
Here, the icon has two heads, one male, one female.
Sun in the right hand, moon in the left hand.

An old Hermetic “Rebis” symbol, from the “Materia Prima” of Valentinus,
printed at Frankfurt, 1613. Sun (and Masonic compass) in the right hand,
Moon (and Masonic square) in the left hand. The icon has two heads.
Male right, female left.
This last depiction is interesting.
Called “Rebis,” this mythological figure has been featured in alchemical texts during the past few centuries.
The Rebis’ right hand is associated with the sun and left hand with the moon.
The Rebis additionally holds a “compass” tool in the “solar” (right) hand balanced by a “square” tool in the “lunar” (left) hand.
This is important.
When combined, the compass and square form Freemasonry’s chief symbol:

The solar compass is held in the right hand and the lunar
square in the left hand. Together the compass and square
form the supreme symbol of Freemasonry.
The compass, since it draws a circle or spiritual symbol, denotes our “spiritual” nature, as humans.
Likewise, the square, since it draws a square or material symbol, denotes our “material” nature.
Holding the compass and square is thus a reminder that when we are man we are not just material (body) we are spiritual (soul) too; we are part human, part divine.
- The eternal “spiritual” (soul) part of us reflects solar qualities―right, yang, masculine, give, light, eternal, hot.
- The temporary “material” (body) part of us reflects lunar qualities―left, yin, feminine, receive, dark, temporary, cold.
Think about this for a moment.
We know we are human, of course. We see this in the mirror each day. But divine too? Are we really divine, eternal, immortal…as well as human, temporary, mortal?
The answer is yes.
Man is a combination of human (moon) and divine (sun).
The six-pointed star symbol directly above the head of the Rebis is a symbol of the integration of these opposing force(sun and moon) and their balance in the Rebis.
And THIS is the message of the Rebis!!!
It’s an instruction that teaches us to integrate our own opposing forces in order to transcend the body and discover the divine eternal Self within/above.
The Rebis is a revelation and an affirmation of our own divinity and eternity―same as Masonry’s chief symbol:
Freemasonry’s logo, the Compass and Square, is a sign of the
union of your (temporary physical) body and (eternal spiritual)
soul, both of which constitute you while you are human.
Did you know you were eternal and spiritual?
“There is one sign which has never changed its meaning anywhere in the civilized world—the Compass and the Square. A sign of the union of the body and soul.”
—Deman Wagstaff, Wagstaff’s Standard Masonry (1922)
“…the compasses stand for…the spiritual side of man, while the square appertains to the material…”
—J. S. Ward, Interpretation of Our Masonic Symbols
The Rebis is a symbol of the higher spiritual Self, the “god Self,” within each one of us, insofar as it is a revelation to us concerning our eternal divine nature.
This eternal divine nature is not readily apparent given the limitation of our five senses (see, touch, hear, taste, smell).
Hence, the message of the Rebis is a message that we need to hear because it’s an explanation of who we really are inside.
“Every man is a divinity in disguise…”
―Ralph Waldo Emerson
For this reason, the Rebis is the Philosopher’s Stone, the Gold of Alchemy, the pearl inside the Oyster, and so on; the Rebis is all the hidden gems of all the lost sacred sciences and secret societies.
It reveals who you really are. But it also reveals something more: How to get there. How to find your true Self.
In Part II, we will examine how this god Self idea was known throughout the ancient world, symbolized by the icon; its wisdom forming a Universal Religion shared globally.
We also will take a closer look at how the icon’s modern esoteric manifestation in the form of the Rebis symbolizes the same idea— the God Self, the higher You.
We will also see evidence from Egypt, Iran and Peru.
Meanwhile, to learn more about this startling and fascinating new discovery, and to gain a much deeper understanding of the god Self icon, read my new book, Written In Stone:

Pagan “God Self” Icon Found Worldwide Rewrites History (Pt. 2 of 2)

By Richard Cassaro | January 16th, 2014 | Category: Featured Articles | Comment
In Part I, we saw how the world’s first cultures all shared the same religious icon―a fact that indicates they all shared a common heritage. We also saw how the icon was known later in history to Renaissance occultists, who used it in their manuscripts; calling it “REBIS” they associated the icon’s “right hand” with the sun and “left hand” with the moon. We’ll continue our research into the icon. Mainly, we’ll see how, long before the word “REBIS” was ever written, the icon was crafted by authentic operative Freemasons into their designs and constructions.

The ancient religious icon depicted above ancient doorways.

We left off, at the end of Part I, admiring the pose of the Rebis (image below).
We touched on the idea of how the Rebis shows us we are divine, we have a soul, we are gods. We don’t need a go-between in the form of a priest or a church to help us reach eternity. Eternity is here and now. We are eternal beings right here and now, only we don’t realize it because this ancient wisdom has been hidden from us in modern times.
This is the secret meaning of the Rebis:

The Rebis.
This is NOT a New Age doctrine. This is the Universal Religion of antiquity. It was shared by ancient cultures all across the globe, as evidenced by the same parallel religious icon being used by all of them.
For this reason, the Rebis is the Philosopher’s Stone, the Gold of Alchemy, the Pearl inside the Oyster, and so on; the Rebis is all the hidden gems of all the lost sacred sciences and secret societies. It reveals who you really are. But it also reveals something more: How to get there. How to find your true eternal Self.
Let’s take a closer look at the Rebis, the higher You.

Rebis, The First Human Being, Perfect And Divine

An occult tradition holds that the Rebis was the first human being, perfect and divine. Unlike us, the Rebis was fully conscious of its own inner divine nature. The Rebis knew that its inner divine nature was different than its outer temporary human shell. This knowing or gnosis made the Rebis godlike; or, rather, made the Rebis conscious of its own godlike nature.
But then something happened, and the Rebis “fell” into becoming…who we are today.
To explain this fall, the ancient Gnostics―forerunners of the Freemasons―described a story where God created the Rebis but became jealous that the Rebis was as powerful as him, knowing his eternal godhood. So he divided the Rebis into two sexes, two independent beings weaker than the original and imperfect. One sex became predominantly male with emphasis on solar qualities like day, light, hot, fire, and dry. The other sex became predominantly female with emphasis on lunar qualities like night, dark, cold, water and wet.
However, in their unconscious memory was their true essence and lost perfection―a reminiscence of a past splendor when they were the Rebis. It is for this reason that humans are attracted by the opposite sex and unite in love and marriage, always seeking to return to their primordial state of unity, perfection and divinity (that, ironically, they never lost to begin with).
“According to Greek mythology, humans were originally created with…a head with two faces. Fearing their power, Zeus split them into two separate parts, condemning them to spend their lives in search of their other halves.”
“You don’t need to be helped any longer. You’ve always had the power to go back to Kansas.
I have?
Then why didn’t you tell her before?
Because she wouldn’t have believed me. She had to learn it for herself.
What have you learned, Dorothy?
Well, I think that it wasn’t enough just to want to see Uncle Henry and Auntie Em. And that if I ever go looking for my heart’s desire again, I won’t look any further than my own backyard, because if it isn’t there, I never really lost it to begin with. Is that right?
That’s all it is!
But that’s so easy! I should have thought of it for you.
I should have felt it in my heart.
No. She had to find it out for herself. Now those magic slippers will take you home in two seconds!
―Esoteric Truths Revealed In The Dialogue Of The Wizard of Oz
The Rebis lives at the center inside each one of us; it is your “god” Self. As the primordial human, the Rebis is neither masculine nor feminine. It is neuter or neutral, before the sexes separated. (Spirituality is “pre-materiality”―indeed it is the “source” of materiality―before masculine and feminine.)
In addition to the masculine/feminine heads, this neutrality of the Rebis is expressed by the two-hand balance of the solar compass on one side (in the right hand) and the lunar square on the other side (in the left hand). Holding them together―uniting them, you might say―the Rebis embodies a “uniting” of the opposites of sun and moon, day and night, light and dark, hot and cold, fire and water, dry and wet, male and female, spirit and matter, soul and body, and so on, as all opposites were united in the beginning.
The “egg” shape on which the Rebis is drawn further symbolizes the Rebis’ primordial essence of unity. This is the so-called “world egg,” a common motif found in many ancient cultures. The egg is the seed of the cosmos, before the big bang you might say, holding the entire universe inside it (in potential):

The egg shape, on which the Rebis is depicted, references
the “primordial state” of man, unified, before the sexes separated.
“A world egg or cosmic egg is a mythological motif found in the creation myths of many cultures and civilizations. Typically, the world egg is a beginning of some sort, and the universe or some primordial being comes into existence by “hatching” from the egg…”
The Rebis (your “god” Self) existed in the beginning when all the dualities in the universe were still united in the egg; thus, in order for a human being to return to that pristine state of unity…to return to consciousness of, and to more lucidly acquire the powers of, our eternal “godhood” (the powers of the Garden)…we must willfully unite all the opposites in our own life―as everything was united in the beginning.
That is to say, the Rebis is not merely a depiction of the primordial human, it is also an instruction, teaching us how to remember our true “god” Self and remember the original state of “perfection,” “divinity,” “wholeness,” and “completion” within ourselves that the Rebis symbolizes.
This primordial condition, our “god” Self (or “Source”), can be achieved by every last one of us, not just the Christs and Buddhas of history who are famous for having done it. The only way to do it is to unite the twin polarities within us and bring them back together by our own will and accord.
“In this way you will reach the fullness, the unity… How is that done? By union with each other and union within oneself…let perfect unity take the place of primitive dissociation and “division”…
…in other words, let the “outside” become as the “inside”, the “upper” like the “lower”, the male like the female; let the first become last and the last first: in short, let there be reunion of opposites…”
―Jesus Christ, Gnostic Texts (Jean Doresse, The Secret Books of the Egyptian Gnostics)
This is the great secret knowledge of alchemy and of all the other hermetic disciplines and ancient traditions, most of which survived through Secret Societies:
“…the “active” and the “passive” aspects of life, which on their own may lead to imbalance and disharmony, must be…brought together in harmony…”
―Prince Charles, Address to the 2006 Sacred Web Conference
With this in mind, the Rebis is considered among occult scholars as the end product of the alchemical “Great Work.” The Rebis is what we must all strive for, to “masterfully” unite all the opposites in our lives―a “mastery” symbolized by our “holding” or “mastering” the two sides (i.e., the “sun/right” side and “moon/left” side) in life:
“The Rebis…is the end product of the alchemical “great work.” After one has gone through putrefaction and purification, separating opposing qualities, those qualities are united once more in what is sometimes described as the divine hermaphrodite, a reconciliation of spirit and matter, a being of both male and female qualities as indicated by the two heads within a single body.”
The theme of reuniting with our “god” Self or “Source” through “mastering” or “balancing” opposites is the long lost secret of authentic Freemasonry, as we shall now see.

The “God Self” Icon And The Masonic Cathedral Builders

Look closely at the following medieval images, which show architectural details from Masonic-built churches and cathedrals.
It’s clear that operative Freemasons of the Middle Ages―architects, designers, and builders who are believed to have inherited esoteric wisdom from Antiquity, which they encoded in their work―used the “god” Self icon throughout their constructions:

Church of Sainte-Madeleine, La Clisse; Charente-Maritime, Poitou-Charentes. Middle Ages.

Nuestra Señora de la Junquera, Treviana (La Rioja)

The Church of Saint-Pierre d’Aulnay, 12th Century.

Relief carving on a stone tympanum, parish church of Charney Bassett, near Faringdon.

Milan, The Basilica of Sant’Ambrogio, c. 1000 AD.

Church in Europe.

Pieve di Santa Maria, Arezzo, Italy, c. 1000 AD.

In the Maison de l’Art Roman in Loudun.

Varaize capitals, France.
These are just a small handful of literally thousands upon thousands of similar architectural and design motifs.
Based on these medieval images, it’s clear the ancient “god” Self icon was known to the Freemasons in the Middle Ages, when most of these buildings were built.
It seems the Freemasons used the religious icon in the buildings they designed and constructed because:
(a) they knew it was the chief symbol of an ancient Universal Religion shared worldwide during a Golden Age (as shown in Part I)
(b) Freemasonry itself was established as a storehouse of this ancient Universal Religion, after the rise of the Church and the Church’s Inquisition forced the Universal Religion underground
This explains why Freemasons used the religious icon so conspicuously and so often:

Furniture detail depicting a Green Man striking the pose of the god Self icon,
the Rebis pose. Photo from my upcoming film documentary on the
Masonic architecture of Reid Castle in Purchase, New York (c. 1880s).
Authentic Freemasonry―before the fraternity was infiltrated and hijacked by the Elite two centuries ago and transformed into a subversive tool―taught spiritual seekers how to tap into and “see” their inner, spiritual Self, the “god” Self or “soul within.”
Awakening to one’s inner spiritual Self was done not by turning one’s back to the bad and only seeing the good in life, but by holding both sides of life, by grasping both “pairs of opposites” of life. This idea is conveyed by the outstretched hands and clenched fists of the religious icon:

Closeup of photo above. Masonic architecture of Reid Castle in
Purchase, New York (c. 1880s) shows the religious icon.
This act of awakening to our inner Self by reconciling opposites, a spiritual practice that once bound the Masonic brotherhood together, was symbolized in Masonic art by a giant Eye symbol, the Third Eye. One of the great lost secrets of Freemasonry is that we each have a Third Eye hidden in our foreheads, and this Third Eye can be “activated” by each one of us. It’s done when we “balance” our twin solar and lunar halves. Opening the Eye allows us to look inward and see our inner Soul or inner “god” Self:

Masonic drawing shows the balancing of sun at right and moon at left,
leading to an awakening of the Third Eye in the center. The Third Eye
sees the inner soul, allowing a seeker to realize that he/she is an eternal being.
This mystical art of awakening the Third Eye, achieved through a process known as “balancing opposites” or “reconciling opposites,” is an ancient procedure inherited by the Freemasons by which one “finds” their spiritual Rebis within.
On Masonic Tracing Boards and other Masonic drawings, the sun is on the right side and the moon is on the left, with middle Eye (or Third Eye) above. This is a clandestine image that instructs initiates on their potential as humans; namely, the potential to balance their twin natures and awaken their Cyclopean eye of spiritual wisdom:

Masonic Tracing Board shows the balancing of sun at right and
moon at left, leading to an awakening of the Third Eye in the center.
Shown below, this Masonic image corresponds precisely with the ancient Eastern system of Kundalini Yoga, where the solar Pingala channel on the right and lunar Ida channel on the left balance and activate each other to awaken the centered Third Eye above:

Kundalini Yoga shows the balancing of the solar pingala
channel at right and lunar ida channel at left, leading to
an awakening of the ajna chakra or Third Eye in the center.
“Yoga” is the precise wisdom conveyed in Masonic Tracing Boards.
Of course, the idea of awakening one’s “Third Eye” is pure blasphemy to the Church, because seeking divinity without priestly intervention is heretical and all such practices are considered the work of the devil.
Freemasonry has for centuries been labeled “evil” and “satanic” by the Church because the Church has long known that the Order is a repository of the lost ancient wisdom of awakening the Third Eye; and this is precisely why the Freemasons have been outlawed, persecuted, and even murdered en masse by the Holy See:
“Ultimately, at the highest level of initiation, the Mason comes to learn the most profound, most secret essence of the Brotherhood…what Pike cryptically calls the “Mystery of Balance” or coincidence of opposites.
Pike takes this mystery from the traditions of alchemy…and, in fact, the frontispiece of chapter thirty-two of Morals and Dogma is a famous alchemical engraving of the Rebis or Androgyne…
This is…the secret of universal equilibrium between good and evil, light and darkness. All contraries emanate from a single God. Male and female, sun and moon, light and dark—symbolized by the Masonic compass and square, and by the two pillars Jachin and Boaz—all come from the same source, and all reunite in the highest initiation.”
―Hugh B. Brian, Secrecy and Symbolic Power in American Freemasonry
The Western religions―beginning with the Jewish strain―have distorted this formula by externalizing divinity and eternity. They have turned the ancient “god within” images inside out. We now worship something external.
As a result, we no longer believe―as, for example, the ancient Egyptians believed―that the omnipotent and omniscient powers of “divinity” and “eternity” apply to ourselves, reside within ourselves.

Heh – Egyptian symbol of “eternity.” Heh stands for the eternal god Self we all have within.
“…Heh is a personification of “infinity” and the related concept “millions.” Heh is always represented as a kneeling man holding a palm rib (year) in each hand―the image symbolizing millions of years…”
―Daphna Ben-Tor, Scarabs, Chronology, and Interconnections
We have become completely blind to our “god” Self, the eternal part of us the ancients symbolized by the religious icon, the part that was never born and never dies.

Heh shows how art in Egypt was used to express metaphysical truths.
“Heh” symbolizes our eternal inner soul or inner god Self.

“Remember who you are by striking the balance of opposites,” this pose urges the viewer,
“Die to your lower self, and realize the eternal and divine Life (ankh) within
you―and then you will never die.” This was the essence of Egypt’s religion.
Instead of recognizing our own eternal Self, we in the West award qualities like “divinity” and “omnipotence” to external “gods” (like the Jewish Yahweh) and endow these external gods with the ability to judge us fit or unfit to bequeath such powers upon us at death. We’ve lost touch with who we really are; we have relinquished all contact with our higher essence.
Orthodox Christianity teaches that Jesus is “that guy” who is the son of the “old man upstairs.” They are “external” gods who may or may not treat us right. The same goes with our Western conception of the Buddha and Allah; we perceive them as “out there” rather than “in here.” The truth is, religion (Latin: religare or to “link back”) is meant to be focused not around them, but around you!
You are the great “God” in heaven, and it’s the Trinity of your balanced being, your balanced opposites, that you must strike in order to awaken to this realization.
An external “God” did not create the universe, according to this tradition. We, each one of us, are God (not the biblical “God” but the ground and essence of the Universe) and we created our own universe and we are right now enjoying our own Creation by living inside of it. Only we’ve lost touch with who we really are:
This universe is not outside of you. Look inside yourself; everything that you want, you are already that.”
“As long as you still experience the stars as something above you, you still lack a viewpoint of knowledge.”
―Friedrich Nietzsche
“You think of yourself as a citizen of the universe. You think you belong to this world of dust and matter. Out of this dust you have created a personal image, and have forgotten about the essence of your true origin.”
“Everything you see has its roots in the unseen world. The forms may change, yet the essence remains the same. Every wonderful sight will vanish; every sweet word will fade, But do not be disheartened, The source they come from is eternal, growing, Branching out, giving new life and new joy.
“Why do you weep? The source is within you. And this whole world is springing up from it.”
“All learning is remembering.”
“We cannot teach people anything; we can only help them discover it within themselves.”
- Galileo Galilei
This wisdom survived in the East, uninterrupted, in the traditions of Hinduism and Buddhism.
But in the West, it became eclipsed by Christianity.

The Christ Deception

Though Jesus said we all have an “Immortal Spirit” or “Christ” within us (referring to our “Source” or “god” Self) his teachings quickly got turned inside out by the Church. Distorting his message, the Church exalted Jesus the man, turning him―and him only―into history’s single great “Immortal Spirit” and “Christ.”
This was a huge and hideous mistake, according to genius 19th and 20th century scholars, like Alvin Boyd Kuhn (1880 – 1963) and Gerald Massey (1828 – 1907), and, more recently the Rhodes scholar Tom Harpur:
“…Christ was the Immortal Spirit in man… It did not and could not depend on any single manifestation in one historic personality.”
Historic Christianity originated with turning the…teachings inside out and externalizing the mythical allegory in a personal human history.…a huge and hideous mistake…”
―Gerald Massey, Gerald Massey’s Lectures
“…the Christ principle is potentially in every one of us.”
“Christ of the myth became a flesh and blood person identified with Jesus.”
―Tom Harpur, The Pagan Christ
By denying the soul’s divinity and pre-existence, Christianity wiped away a valuable fragment—indeed the key principle—of the ancient Universal Religion. As a result, the true power of the “soul within” or “god” Self teaching became lost.
Humanity became orphaned. The result? Centuries of men and women clinging to the church like orphaned children clinging to their malevolent step mother:
“Christianity took the type figure of the divine in man for the Divine Man. It exalted the alleged Divine Man…but left the divine in man to grovel in the dust…
…it shifted the center of gravity, so to say, from the cult of the Christ within to that of the Christ without, or from the Christ as principle to Christ as a man.”
―Alvin Boyd Kuhn, The Lost Light
Christianity changed the message of the “god” Self―which is the central teaching of the ancient universal icon―and by changing this message Christianity changed humanity.
The idea that we, like Jesus, can acquire the gnosis that leads to Christhood was suppressed. This is why today we (Westerners) believe there is only one God in heaven (and He is not you) and there is only one manifestation of God on earth, and that’s Jesus Christ (and he is not you either).
By placing itself as the intermediary between an external “God” and the masses, the Church built an empire, while simultaneously covering up ancient and ancestral spiritual wisdom. Sinister, but ingenious.
It was the death of our divinity, and this single event triggered a general decline in Western civilization, the calamity of which we have not yet recovered from. It sent shockwaves through a once-flourishing Europe, leading directly to the Dark Ages. In fact, all of Western history under Christianity can in a sense be summed up as the story of the spiritual suppression of a large part of humanity.
Despite this suppression, many tried to keep the lost light glowing and the ancient tradition alive.  During the reign of Christianity there emerged Secret Societies―artists, poets, and philosophers―that kept the “god” Self wisdom from dying. They did this by encoding the secret wisdom in art, architecture and literature.
Note how, in the following works of art, Christ strikes the same pose as the religious icon―his right hand aligns with the sun and left hand with the moon:
Crucifixion (Città di Castello Altarpiece) by Raphael. 1502-03. National Gallery, London.
His right hand is paired with the sun, left hand with the moon.

Romanesque Crucifix. Right hand sun, left hand moon.
The secret message of these portraits is that it’s not just Jesus who can achieve the balance, but all of us can achieve it; Jesus is only the local representation of it, the local model.
If we follow him and do as he has done we too can remember who we are (our “Christ within”); we too can recognize the gnosis of our own inner godhood, which is our birthright. We too can become conscious of our true “god” Self when we balance the opposites (as Jesus did, as shown here).

The Michelangelo Code

This “balance” theme is the secret meaning behind some of history’s most famous works of art. One example is The Sistine Chapel. The ancient religious icon is visible here too, painted by the famous 16th Century Renaissance artist Michelangelo. Look at how Michelangelo depicted “God” striking the balance of opposites between the sun and the moon:
The Sistine Chapel by Michelangelo. It says ‘Godhood is
achieved by balancing the opposites (of sun and moon).’
God’s right hand points to the luminous sun, while his left points to the dimmer moon—illustrating the “doctrine of duality.” Centered between them, yet leaning toward the light, God is shown striking the balance between the two contraries.
The ramifications here are many. Was Michelangelo privy to the secrets of the “god” Self icon? Was he conveying his belief in the ancient Universal Religion, a wisdom-tradition that’s totally different than mainstream Christianity? Is Michelangelo here saying we can discover our “god” Self within, which is who we really are, if we balance opposites?
This centuries-old image indicates that Michelangelo understood the occult significance of the pairs of opposites. It also shows that Michelangelo understood that “God”—or, rather, our own “god within”—can be found centered between the opposites, which is the basic teaching of this religious icon’s pose.
Note the sun and moon’s parallel size and shape. Michelangelo clearly understood that in order to artistically convey their “balance,” and thus be considered a “pair” of opposites by the viewer, the sun and moon needed to have equal diameters.
The equilibrium of their opposition now established, the sun and moon’s duality is balanced by the third power centered between them—(the) God himself. The sunny half of God is bright while the lunar half is darker, which Michelangelo may have used to convey the idea that while we are human, we—our eternal “soul within” or the “god within” us—now has a “bright” and “dark” side, the result of our manifesting into the material world; the bright side being more aligned with our true nature, and more reflective of the inner soul.

In the New World, it was the god Viracocha who conveyed the balance of
opposites religion, similar to Osiris in the Old World. It was Viracocha
whom the Andean masses followed and imitated. Viracocha was often
depicted holding twin serpent/thunderbolt-staffs, in the same pose as Osiris
in the Old World. The carving in the photo above crowns the lintel of a
mystical freestanding doorway called The Gate of the Sun in Tiahuanaco,
Bolivia, a famous eastward facing monolith hewn from a single Cyclopean
stone block.  (“As the person of the sun door,” wrote Joseph Campbell, “he is
the fountainhead of all the pairs of opposites.”) The Staff God is visible not just
here at Tiahuanaco, but everywhere in the ruins of the ancient Andes; among
civilizations that eventually evolved into the Incas. It is the ultimate symbol
of balance and transcendence of opposites, which is precisely the main
religious theme across all of the Americas.
In essence, by encoding the pagan religious icon into this design of God, Michelangelo seems to have secretly been expressing the idea that there is no “God” as we’ve been taught to understand it in the Western monotheistic tradition—only a “god within” which means we are the God; the “god” is a part of us and we are a part of it.
This is the universal instruction expressed by the “gods” of the pagans, like Zurvan, Gilgamesh, Viracocha and Osiris, to name a few. Only scholars today simply do not realize it:

The “god” Zurvan, the so-called “creator deity” of the ancient Persian religion,
was neither Good nor Evil, but a spiritual essence that predates Good and Evil,
and indeed created Good and Evil as well as all the other opposites (in the photo
above he is shown handing “good” and “evil” out to the right and left sides). As
such, Zurvan was never understood to be an “external” being, but rather a
symbol of the true eternal Self. Zurvan is the eternal silent and motionless
Self that takes part in manifestation via the opposites.
It is noteworthy that Michelangelo depicts God leaning toward the light, while still striking the balance, which may be an instruction of what we all must do in life, as the light side more perfectly reflects our true inner nature.
“Every act in life yields pairs of opposites in its results. The best we can do is lean toward the light, toward the harmonious relationships that come from compassion with suffering, from understanding the other person.”
―Joseph Campbell
Exactly how Michelangelo knew this occult wisdom is unclear. It may have been communicated to him through a Secret Society like Freemasonry; Secret Societies flourished since the dawn of Christianity. Such fraternities usually attracted artists, humanitarians, open-minded curious and intellectual men.


The same religious icon has been uncovered in ruins across the ancient world. This evidence strongly suggests our ancestors globally all followed the same Universal Religion, symbolized by the icon.
The god Self religious icon was used across the ancient world,
spanning continents and oceans. This evidence points to
a Golden Age in the remote past.
A bit of detective work shows us that the basis of this Universal Religion is the belief, common among every ancient civilization, that we are not our physical bodies; we are really an eternal “god” Self or soul that was never born and never dies. The god Self is a part of us that we are not conscious of while we are man,  but that truly exists; the god Self was never born and never dies and thus survives the death of our bodily self.
The wisdom of the god Self lived on in the East unabated, but became suppressed by Christianity in the West, leading to the hegemony of the Catholic Church and the growth and evolution of underground Secret Societies like the Freemasons, who encoded the icon throughout their designs and constructions in an effort to keep its wisdom from dying:

The god Self religious icon was known to the Freemasons. They used it in their art and architecture, as shown.
Centuries after the operative Freemasons encoded the icon into churches, castles and cathedrals, renaissance occultists learned about the icon and began using it in their manuscripts; always careful to assign the solar to the right side and the male, and lunar to the left side and the female.

The god Self religious as depicted in Renaissance manuscripts.
To learn more about the god Self icon read my new book, Written In Stone: